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Minimising the impositions on the space, which
was large, dark, cold and draughty (not a comfort
zone), by bringing into it a vulnerable light
source and 4 coloured chalks (one for each day
of recording varying directions of the draughts
at ground level). On the fifth day, set aside
for performance work, the body becomes present
indicator, the limbs remember the past, and
the bandaging of the body whilst stepping into
the second self in order to sound out the future.
The large gust (who gets the last laugh) and
the trailing remnant to trip over in the dark.
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