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Harriet Stockman - Final Gag, 2004

Video and TV reference mass media and it's insidious control over cultural ideologies and information. This medium is one the viewer can be seduced into watching due to preconditioning and physical response such as being captured by a flicker. My work throughout this year has explored issues around notions of control of the body and the areas of leakage or escape from these controls. In this body of work for the end of year I have focussed only on control over the individuals body, specifically that of corporate and institutional control. The anthropomorphic stands that the TV monitors stand on are sterile and uniform. They have a sense of the institution. Juxtaposed with this is the video imagery that plays at an intimate level, a very bodily organic action. The images have a repetitive movement of one gesture being looped creating a feeling of perpetuity, offering no escape from control. Using my own head in various stages of visibility and concealment lends itself to a reading of self-portraiture, however it also as a method allowed me to control the image whilst possibly implying culpability.

Harriet Stockman

Materials 7 wheeled stands 132cm tall, mild steel, powdered coated, nylon straps, 7 14in T.V monitors, 7 video players, 7 videos self portrait, extension cords.

Institutional Silience

Final Gag

Final Gag - looking left

Final Gag - looking center

Final Gag - looking right

Skin Frill Inside Mouth

Mouth Extrusion

Organ Breath

Trunk breathing

Panic

Panic Pull

Suffocating breath

Suffocating Detail

 

 

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