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From Brydee Rood:
Hello Lamb Project
Sebastián Calviño Echeverría:
About the rAt of Sebastián Calviño Echeverría.
Brydee Rood:
The Whole Is More than the Sum of its Parts & Berdey Door The Hyper Sensitive Sponge: A Tale of Berdey’s Existence
Interview Questions for Inke Arns:
History Will Repeat Itself
Leonhard Emmerling:
Warhol "Indifference as a subversive strategy."
Leonhard Emmerling:
"PLZKLME"
Leonhard Emmerling:
Contemporary Landscape: "Love will tear us apart."
Leonhard Emmerling Phd was born in Germany in 1961. Since January 2006 he has been director of AUT St Paul St Gallery, Auckland, New Zealand. His writings include books on Jackson Pollock and Jean-Michel Basquait.
BLOCKPROJECTS is pleased to announce a solo exhibition of selected works by Melbourne based, New Zealand born artist Alicia Frankovich. Frankovich is the only Australian to be featured in the forthcoming publication Ice Cream, Contemporary Art and Culture, Phaidon Press, New York, 2007.
Alicia represented Australia in the Busan Biennale 2006; A Tale of Two Cities: Busan-Seoul Seoul-Busan, Korea.
Frankovich's practice was celebrated in a two person exhibition in early 2007, Too Near Too Far; an insight into the Australian Independent Art Scene, 2007 (with Simon Horsburgh). Curated by Chiara Agnello and Roberta Tenconi, C/O Careof, La Fabricca del Vapore, Milan, Italy.
Alicia Frankovich has also been selected to participate in the studio practice workshop at the Antonio Ratti Foundation in Como, Italy.
Please contact BLOCKPROJECTS for further information.
Book Prospectus
Performance, [Performance] and Performers:
Essays and Conversations 1976-2006
by Bruce Barber
http://www.egs.edu/resources/bruce-barber.html
by Bruce Alistair Barber
An Interview with Bruce Barber
by Don Simmons
VACANCY
VACANCY is a project initiated by Ron Left and
Monique Redmond. This publication has been produced
in conjunction with the exhibition Vacancy held
at te tuhi-the mark, Auckland, New Zealand;
March 6–April 14 2004. (PDF
download 3.4mb)
LOST
WHITE TRIBES OF THE TASMAN-PACIFIC: AN ARCHAEOLOGY
OF AUSTRALIA-NEW ZEALAND ART EXCHANGES IN THE
1970S & 1980S.
From a paper presented at Repositioning Pacific
Arts: Artists, Objects,
Histories:
The VII International Symposium of the Pacific
Arts Association,
Christchurch, New Zealand, June 22-26, 2003.
Intervention
Post Object and Performance Art in New Zealand
in 1970 and beyond. Robert McDougall Art Gallery
& Annex, Christchurch. 2000. pp 34-46
This catalogue was published to accompany Intervention,
an exhibition considering Post-Object and Performance
Art 1970-1985, at the McDougall Contemporary
Art Annex, 9 November-10 December 2000. Intervention
was part of Colloquium, a multi-media arts event
comprising exhibitions and public programmes
and jointly presented by the Robert McDougall
Art Gallery & Annex and the University of
Canterbury. Catalogues are available from:
www.mcdougall.org.nz/galleryshop
Catalogue essays and papers presented at Intervention
included the following;
Blair French;
Jim Allen: From Elam
to the Experimental Art Foundation.
(Catalogue essay)
Blair French;
Critical Forms: The Wake of Conceptualism
Unpublished paper presented at the Symposium
included in the programme for Colloquium, a
multi-media arts event jointly presented by
the Robert McDougall Art Gallery & Annex
and the University of Canterbury.
Blair French is a New Zealand
writer and curator based in Sydney. He is editor
of Photo Files: An Australian Photographer Reader
(Sydney: Power Publications and Australian Centre
for Photography, 1999) and has written extensively
on contemporary Australian and New Zealand art
including recent texts on the work of Gordon
Bennett, Shane Cotton, Dale Frank, Gavin Hipkins,
Rosemary Laing, Tracy Moffitt and Jacky Redgate.
Having previously worked in public galleries
in Australia, New Zealand and the United Kingdom
he is presently writing a doctoral thesis at
the University of Sydney on the photographic
image in contemporary Australian art.
Christina Barton;
Traces and Boundaries: The Photographic Legacy
of Post-Object Art
Christina Barton
is writer and curator who is currently lecturer
in Art History at Victoria University of Wellington.
Since completing her MA Thesis on post-object
art in New Zealand, in 1987, she has researched
and written on many aspects of contemporary
New Zealand art, in particular, conceptual,
feminist and critical practices as they have
developed since the 1970s. Exhibitions she has
undertaken include, After McCahon: some configurations
in recent art (Auckland Art Gallery, 1989),
Alter/Image: feminism and representation in
New Zealand art 1973-1993 (City Gallery, 1993
with Deborah Lawler-Dormer), Art now: the first
biennial review of contemporary art (Museum
of New Zealand, 1994) and Joseph Kosuth: Guests
and Foreigners, Rules and Meanings (Te Kore)
(Adam Art Gallery, 1999).
Bruce
Barber;
Conversation with
Vito Acconci (7 January 1977)
Books and Essays
Extended
Resume
The Gift in Littoral
Art Practice
(Catalogue essay)
Papers:-
What to do Art and
Activism Symposium,
Vienna, December 8 - 10, 2000.
Freudian Slip
Vienna, December, 2000.
Sentences on
Littoral Art
Littoralist
Art Practice and Communicative Action
Habermas Seminar Discussion Paper & Khyber
Lecture Series
March 20/28 1996
The Adam Art Gallery
currently presents 22nd June – 18th August
2002,
a new site specific work by Christchurch artist,
Pauline Rhodes
VOTIVE
CATALOGUE
Both the Adam Art Gallery and Dunedin
Public Art Gallery are pleased to present Votive:
sacred and ecstatic bodies, an exhibition that
both examines and questions certain representations,
politics and effects of organised Christianity,
particularly Catholicism. Votive indicates the
ongoing connectivity between art and religion,
doctrine and lived experience; it also plays
on the tensions that exist between them.
Adrian Hall. Sydney
Texts and Essays
Corrina Schnitt. Germany
Freizeit
Gregor Jansen
Interfaces
A catalogue essay.
Mark Kirby. Auckland
Why So Quiet Child?
Inke Arns review
Metonymic Mov(i)es:
Lev Manovuich "The Language of New Media"
This text was first published in ART Margins
(www.artmargins.com)
Roger Peters
Common Ground
http://www.aucklandartgallery.govt.nz
Auckland Art Gallery
Toi O Tamaki
Auckland Art Gallery has the most extensive
collection of national and international art
in New Zealand. A public art gallery located
within two buildings, the main gallery and the
new gallery, it exhibits work from its collection
along with a programme of national and international
touring exhibitions.
Art Gallery Shop
Telephone: (64 9) 307 7100
Fax: (64 9) 302 1096
Email: shop@aucklandartgallery.govt.nz
PO Box 5449 Auckland, New Zealand.
Allan Smith
Tabletop Theatre:
Half and Apple and a Pair of Spectacles
A catalogue essay from the exhibition Greer
Twiss: Theatre Workshop Auckland
Allan Smith is a contemporary
curator and critic; he lectures in the painting
department at Elam School of Fine Arts. Exhibitions
include Fear and Beauty, The Crystal Chain Gang
and Bright Paradise.
City Art Gallery 8th March
- 2nd June 2003
Copies are available from the Art Gallery Bookshop
Telephone: (64 9) 307 7100
Fax: (64 9) 302 1096
Email: shop@aucklandartgallery.govt.nz
PO Box 5449 Auckland, New Zealand
www.akcity.govt.nz/artgallery
James
Charlton
Reconciling
Interiors:
The Screen as Installation.
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