Corinna Schnitt
makes pictures about social relations. Not
only her video works but her photographs follow
a principle one might describe as pseudo-narrative
interpenetration of inner and outer. An exterior
is always there, a setting, in public or for
a public, as in the "Family Portraits"
or the "Runde Orte" (Round places)
entitled "Freizeit" (Free time).
An inner world is clearly visible in these,
or, more subtly, thinkable; or a world of
experience, which can be aligned with one’s
own, thrusts itself into the picture. Outer
is invariably transposed into inner.
