Alicia Frankovich, David Cross and Christopher Braddock
at the 2009 Performance Studies International in Zagreb, Croatia.
Random Entrant risks performing bodies that fail; we venture
misperformance and absence... Our practices operate across the
arenas of visual & media arts installation and performance. We
engage with habits that hand ‘work’ over to audiences: that involve
the absence, or diminished sensory capacity, of performers; where
written, recorded or videoed 'documents' operate as access to the
'live'; where spaces promote participatory and reciprocal exchange;
where performance is a testing ground that mixes sporting,
recreation and bodily pleasure with a scrutiny of sensory limits. We
are artists and performers who double as the object of our
enterprise: part subjects that slip capriciously into part objects as
both subject and object of our works; slippages within unpredictable
durations... (extract from Braddock, C (2009). Random Entrant and the Force of Failure.Frakcija Performing Arts Journal, 50 (Spring), 26-33.).
